Showing posts with label post processing. Show all posts
Showing posts with label post processing. Show all posts

Saturday, May 27, 2023

Adobe Lightroom for Underwater Photographers: Capabilities and New Features

Adobe Lightroom has been a preferred choice for photo editing and organization for years. As a software, it blends simplicity with powerful editing tools to transform images in an intuitive and non-destructive way. One specific genre of photographers that greatly benefits from Lightroom's capabilities are underwater photographers. This article aims to shed light on how Adobe Lightroom supports the creative endeavors of underwater photographers and the newest features that make it a strong tool.

Adobe Lightroom for Underwater Photographers

Underwater photography is a unique discipline that has its own set of challenges, especially when it comes to post-processing. Adobe Lightroom offers several tools and capabilities specifically suited to addressing these challenges.

White Balance and Color Correction

The first significant issue for underwater photographers is the color distortion caused by the water's depth. As you go deeper, the light spectrum changes and images tend to skew toward the blue or green end of the spectrum. Adobe Lightroom comes with advanced color correction capabilities, allowing photographers to adjust white balance post-capture, bringing back the true colors of the underwater scene.

Noise Reduction

Underwater photographers often need to crank up the ISO to deal with the relatively low-light conditions underwater, which could introduce noise. Lightroom's noise reduction capabilities can help to manage and reduce noise, maintaining the clarity and crispness of the photograph. Specially the new AI based noise reduction algorithm does a pretty good job.

Lens Corrections

Underwater housings and ports can distort images, causing aberrations. Adobe Lightroom has a lens correction feature that can fix this distortion, providing the ability to manually adjust the vertical and horizontal perspective as well as correcting for chromic aberrations.

Detail Enhancement

Often, intricate details of the underwater life may get lost due to limited light and water clarity. Lightroom’s clarity, texture, and dehaze sliders can enhance these details, making the image more vibrant and revealing the hidden beauty of the underwater world.

Newest Features in Adobe Lightroom (as of 2023)

Adobe continually enhances Lightroom with newer features, making it even more powerful for underwater photographers.

Super Resolution

With the Super Resolution feature, photographers can now upscale their photos without losing details. This feature uses machine learning to increase the resolution of the photo, which could be beneficial for printing large format images or for heavy cropping.

Advanced Color Grading

The color grading tool, an upgrade on the older split toning, allows photographers to apply color tints to the shadows, midtones, and highlights separately. For underwater photographers, this feature can help achieve more creative color grading, helping the underwater life in the image to stand out.

Faster Performance

Adobe has made significant strides in improving Lightroom's performance, resulting in faster import, preview generation, and export times. A smooth and responsive editing experience is invaluable for photographers with large batches of underwater photos.

Improved Masking

The recent updates have introduced a new Masking panel which includes Select Subject and Select Sky. These can be particularly helpful for underwater photographers when editing creatures or specific underwater features. As well as in the process of removing backscatter particles.

Presets and Profiles

While not entirely new, Adobe Lightroom continues to expand its offering of built-in presets and creative profiles, which could provide a good starting point for editing underwater photos, and help in maintaining a consistent style.

To conclude, Adobe Lightroom offers a wealth of features that can help underwater photographers overcome the unique challenges posed by their genre. The continuous updates and added features keep enhancing its capabilities, maintaining Lightroom's position as an indispensable tool in the digital darkroom for underwater photographers.

Sunday, October 9, 2016

Expert Talk - Tray Ratcliff introducing Aurora HDR 2017

Master of HDR post processing Tray Ratcliff introduces Aurora HDR 2017 he has participated in developing.




Get this incredible piece of software at: https://store.stuckincustoms.com/software
including video tutorial and presets.

Sunday, November 29, 2015

Photo editing now and then

There is a lot of controversy in the photographers community when it comes to post processing photographs. There are analog photo fanatics who claim that analog is the only real thing while most digital images go through digital post processing including heavy manipulation.

However, photo editing independent of the medium has been part of photographic handcraft ever since.

Today I found this interesting article from Michael Zhang (link to PetaPixel) on how iconic prints were edited in the darkroom. The article shows the original first development including markups for later manual editing in a new attempt of development side by side to the final result.
Muhammad Ali, captured by Thomas Hoepker in 1966

The techniques applied in the analog darkroom were not only cropping, cutting out, or adjusting the overall exposure. Having a look at the markups on the sample images of the referenced article a lot is around adjustment of local contrast, detail, background, and local exposure. All elements common to modern digital photo editing (link to Photocritic).

In today's digital world we can apply many steps of editing to one single image. We can easily play with variants, and we can use almost as much time as we want to get the desired result.
Pablo Inirio, darkroom printer at work
In analog technique this all has to happen during the final exposure process of the print in the darkroom by dodging and burning areas of the print and making sure that every area of the photograph gets the right amount of light. This process is a real manual handcraft requiring a lot of experience and a thorough understanding of exposure and development processes. An interesting "before there was Photoshop" 10 minutes video with explanations of these techniques can be found here (link to PetaPixel).

What was the job of a master darkroom printer became the job of an image retoucher in digital times. Techniques remained the same, tools and possibilities might have changed a bit.